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Emma Wilkinson Wright is a graduate of RADA's MA Theatre Lab, having previously trained at RCSSD and with Frantic Assembly. Emma has been performing for almost a decade. As well as creating new work as Oxia's Artistic Director Emma works across theatre, film and voiceover/


Theatre credits include/ Helen Reed in Secret Thoughts  at The Southwark Playhouse (dir. Paloma Jacobs-Duvernet); Gran in Umbrella at RADA Studios for the Bloomsbury Festival (dir.Rohan Gotobed); Woman in Tiny Camel  for Finborough Theatre/Poplar Union Poplarism Festival (dir. Sam Tannenbaum); Mother in The After Dinner Joke at Greenwich Theatre (dir. James Haddrell); Clytemnestra in Iphigenia in Aulis at The Cockpit Theatre (dir.Lee Anderson); Martha Freud/Pauline Strauss in Love Genius and A Walk at Theatro Technis (dir. Leah Townley);  Gertrude in Hamlet at Tower Theatre (dir. Gavin MacAlinden); The Director in Six Characters in Search of an Author at Tower Theatre, (dir. Gavin MacAlinden);  Charmian in Anthony and Cleopatra  at Theatro Technis (dir. Gavin MacAlinden); Woman in Moonlight Strangers at Camden Peoples Theatre ( dir: Sebstian Polka);  Yves in The Changeling at the GBS Studio (dir. Gemma Brockis); Mother Courage in Mother Courage and Her Children at RADA (dir. Simona Gonella); Agave in The Bacchae at RADA studios (dir. Gareth Watkins); Celia Cain in Her Naked Skin at the John Lyons Theatre (dir. Petina Hapgood, Goodmann Productions); Anne Shankland in Separate Tables at The John Lyons Theatre (dir. Vernon Thompson); Inmate 5/Voice of the Guard in Zero for the Young Dudes at RCSSD (dir. Sarah Bedi); Performer in Undecided with Frantic Assembly (Advanced Actor Training, dir. Simon Pitman); Belinda in Seasons Greetings at the John lyons Theatre (dir. Vernon Thompson); Woman in Angelwise at The lyric Hammersmith (dir. Vivienne Rochester)/


Film credits include/ Kate in A Date with Death for Peracals Production (dir. Colin Swinfin, IMDB); Mary-Ann in Colours and Sounds for Moving Culture Film (dir.Erdigan Gilgil); Lady Macbeth in Macbeth for Peracals Productions (dir. Colin Swinfin/Jason Fite, table read); Akiko in Cotton Tail with Baby Cow Productions (dir. Patrick Dickenson, table read); Angry Woman in The Queue for Galleria Productions (dir. Joel Stokes); Abbey in Square Peg, Round Hole, IMDB (dir. B Welby Delimere); Mercy in Traces of Suburbia (Semi finalist Chicago Indie Film awards 2020, dir Bauti Botto); Polly Nichols in Polly (dir. Anne-Sophie Trompert)/


Voiceover work includes/ Shelia in All Our Tomorrows (Audible with Peracals Productions); and Enderin in Enderin for Simon O'Corra (currently in production)// 

Greg Wilkinson is our writer.  He's also an occasional DJ. And as part of his growing interest in the power of stories and performance to help bring about change in the world and in his own life, he has started to write plays. Insomnolent/ – informed by his experience of insomnia - is his first completed work; Assisted/, his second, will be premiering at The Golden Goose Theatre from 1st to 4th December 2021//

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